| 1 |
.\" RCSid "$Id: pmdblur.1,v 1.1 2005/01/18 03:59:40 greg Exp $"
|
| 2 |
.TH PMDBLUR 1 1/17/05 NAME
|
| 3 |
pmdblur - generate views for combined camera motion and depth blurring
|
| 4 |
.SH SYNOPSIS
|
| 5 |
.B pmdblur
|
| 6 |
.B speed
|
| 7 |
.B aperture
|
| 8 |
.B nsamp
|
| 9 |
.B v0file
|
| 10 |
.B v1file
|
| 11 |
.SH DESCRIPTION
|
| 12 |
.I Pmdblur
|
| 13 |
takes two viewfiles and generates
|
| 14 |
.I nsamp
|
| 15 |
views starting from
|
| 16 |
.I v0file
|
| 17 |
and moving towards
|
| 18 |
.I v1file,
|
| 19 |
simulating an aperture of diameter
|
| 20 |
.I aperture
|
| 21 |
in world coordinate units.
|
| 22 |
When rendered and averaged together, these views will result in
|
| 23 |
a picture with motion and depth-of-field
|
| 24 |
blur due to a camera changing from v0 to v1
|
| 25 |
in a relative time unit of 1, whose shutter is open starting at v0 for
|
| 26 |
.I speed
|
| 27 |
of these time units.
|
| 28 |
Either
|
| 29 |
.I pinterp(1)
|
| 30 |
or
|
| 31 |
.I rpict(1)
|
| 32 |
may be called to do the actual work.
|
| 33 |
(The given
|
| 34 |
.I v0file
|
| 35 |
must also be passed on the command line to the chosen renderer, since
|
| 36 |
.I pmdblur
|
| 37 |
provides supplemental view specifications only.)\0
|
| 38 |
.PP
|
| 39 |
For
|
| 40 |
.I pinterp,
|
| 41 |
feed the output of
|
| 42 |
.I pmdblur
|
| 43 |
to the standard input of
|
| 44 |
.I pinterp
|
| 45 |
and apply the
|
| 46 |
.I \-B
|
| 47 |
option to blur views together.
|
| 48 |
In most cases, two pictures with z-buffers at v0 and v1 will
|
| 49 |
get a satisfactory result, though the perfectionist may wish to
|
| 50 |
apply the
|
| 51 |
.I \-ff
|
| 52 |
option together with the
|
| 53 |
.I \-fr
|
| 54 |
option of
|
| 55 |
.I pinterp.
|
| 56 |
.PP
|
| 57 |
To use
|
| 58 |
.I pmdblur
|
| 59 |
with
|
| 60 |
.I rpict,
|
| 61 |
apply the
|
| 62 |
.I \-S
|
| 63 |
option to indicate a rendering sequence, and set the
|
| 64 |
.I \-o
|
| 65 |
option with a formatted file name to save multiple output
|
| 66 |
pictures.
|
| 67 |
When all the renderings are finished, combine them with the
|
| 68 |
.I pcomb(1)
|
| 69 |
program, using appropriate scalefactors to achieve an average.
|
| 70 |
Note that using
|
| 71 |
.I rpict
|
| 72 |
is MUCH more expensive than using
|
| 73 |
.I pinterp,
|
| 74 |
and it is only recommended if the scene and application
|
| 75 |
absolutely demand it (e.g. there is prominent refraction that
|
| 76 |
must be modeled accurately).
|
| 77 |
.PP
|
| 78 |
For both
|
| 79 |
.I pinterp
|
| 80 |
and
|
| 81 |
.I rpict,
|
| 82 |
the computation time will be proportional to the number of views from
|
| 83 |
.I pmdblur.
|
| 84 |
We have found a
|
| 85 |
.I nsamp
|
| 86 |
setting somewhere between 7 and 15 to be adequate for most images.
|
| 87 |
Relatively larger values are appropriate for faster camera motion.
|
| 88 |
.PP
|
| 89 |
The
|
| 90 |
.I \-pm
|
| 91 |
and/or
|
| 92 |
.I \-pd
|
| 93 |
options of
|
| 94 |
.I rpict
|
| 95 |
may be used instead or in combination to blur animated frames, with
|
| 96 |
the added advantage of blurring reflections and refractions according
|
| 97 |
to their proper motion.
|
| 98 |
However, this option will result in more noise and expense than using
|
| 99 |
.I pmdblur
|
| 100 |
with
|
| 101 |
.I pinterp
|
| 102 |
as a post-process.
|
| 103 |
If both blurring methods are used, a smaller value should be given to the
|
| 104 |
.I rpict
|
| 105 |
.I \-pm
|
| 106 |
option equal to the shutter speed divided by the number of samples, and the
|
| 107 |
.I \-pd
|
| 108 |
option equal to the aperture divided by the number of samples.
|
| 109 |
This will be just enough to blur the boundaries of the ghosts
|
| 110 |
which may appear using
|
| 111 |
.I pmdblur
|
| 112 |
with a small number of time samples.
|
| 113 |
.PP
|
| 114 |
To simulate a particular camera's aperture, divide the focal length of
|
| 115 |
the lens by the f-number, then convert to the corresponding
|
| 116 |
world coordinate units.
|
| 117 |
For example, if you wish to simulate a 50mm lens at f/2.0 in
|
| 118 |
a scene modeled in meters, then you divide 50mm by 2.0 to get 25mm,
|
| 119 |
which corresponds to an effective aperture of 0.025 meters.
|
| 120 |
.SH EXAMPLES
|
| 121 |
To use
|
| 122 |
.I pinterp
|
| 123 |
to simulate motion blur between two frames of a walk-through
|
| 124 |
animation, where the camera shutter is open for 1/4 of the
|
| 125 |
interframe distance with an aperture of 0.1 world units:
|
| 126 |
.IP "" .2i
|
| 127 |
pmdblur .25 .1 8 fr1023.pic fr1024.pic | pinterp -B -vf fr1023.pic -x 640 -y 480
|
| 128 |
fr1023.pic fr1023.zbf fr1024.pic fr1024.zbf > fr1023b.pic
|
| 129 |
.SH AUTHOR
|
| 130 |
Greg Ward
|
| 131 |
.SH "SEE ALSO"
|
| 132 |
pcomb(1), pdfblur(1), pinterp(1), pmblur(1), rcalc(1), rpict(1), vwright(1)
|