[HDRI] Photosphere 1.6 available
Kirk Thibault
kthibault at biomechanicsinc.com
Thu May 11 15:49:14 CEST 2006
So if I do a little experimentation ahead of time and establish a
manual set of exposures, and do that same set across all of the
images I intend to stitch together, it sounds like Photosphere will
make the HDRs and combine them in a way that will take care of
balancing the exposure (tone-mapping exposure) across the panorama.
Also - for anyone trying it out, it took me a few tries to figure out
that you have to select (click-drag) a small portion of the scene
when designating matching feature points (versus simply clicking on a
feature).
Re: barrel distortion - it sounds like if I try to take all of my
LDRs into Photoshop and use the Lens Correction filter to remove
barrel distortion, then I will lose important image info that
Photosphere uses to do its magic. I'll try a couple of different
focal lengths with a simple LDR panorama and see what I get wrt
stitching distorted images. I'll also try varying the overlap amount.
Pretty cool.
kirk
------------------------------
Kirk L. Thibault, Ph.D.
kthibault at biomechanicsinc.com
p. 215.271.7720
f. 215.271.7740
c. 267.918.6908
skype. kirkthibault
On May 11, 2006, at 2:12 AM, Gregory J. Ward wrote:
> Hi Kirk,
>
> Thanks for the feedback. I'm happy, and somewhat amazed, that
> you've figured out how to use it already. The interface is quite
> different from other applications, but that's mostly because I'm a
> really lame GUI programmer....
>
> Lens distortions don't always cause misalignment in panoramas, as
> long as you overlap where the distortions match. However, you will
> get a kind of "waviness" to lines going from one image to the next
> due to the uncorrected barrel distortion. You are best off
> experimenting with a few different lenses to see the results. I
> don't really have enough experience at this point to advise you
> past that.
>
> Regarding image exposure, Photosphere uses the sample-to-nits value
> (a.k.a. EXPOSURE setting) in an HDR file to rectify the brightness
> scale between images. This may not work if your images were
> assembled by a program other than Photosphere or hdrgen, or if
> you've manipulated the images with an application that doesn't keep
> track of this setting. (Most image editors that work on HDR such
> as Photoshop CS2 and HDRShop don't.)
>
> For 24-bit RGB (standard LDR) images, you really need to nail the
> exposure and keep it fixed on manual throughout your sequence. If
> if it were possible to correct for different exposures, you would
> have issues with clamping differently in the highlights in many cases.
>
> The panorama stitcher in Photosphere does a better job than most at
> hiding gradient differences between images, so things like lens
> flare are not the usual disaster. Instead of seeing a seam or
> strong gradient, you may notice an erratic line where the two
> images are stitched together. That's the way this algorithm looks,
> I'm afraid. Sometimes it looks better than a smooth blend, and
> sometimes it's worse. It really depends on the scene.
>
> -Greg
>
>> From: Kirk Thibault <kthibault at biomechanicsinc.com>
>> Date: May 10, 2006 8:15:24 PM PDT
>>
>> Greg - that is pretty cool. It is fairly easy to get the idea of
>> linking one to the next image. Thanks! Now I have to go out and
>> take a bunch of panoramic, multiple-exposure images and see what
>> happens! What do you think is the lower threshold from a lens
>> focal length perspective (haha!) that will still give a relatively
>> distortion-free stitched image? i assume we can exposure balance
>> the HDRs in Photosphere prior to stitching to get even exposure
>> across the panorama. Is there a way to get the panoramic exposure
>> balance automagically? I guess I'll experiment with it before I
>> ask any more stupid questions.
>>
>> later,
>>
>> kirk
>
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